"Using hindsight, we discover that the individuals who
have been leaders came from strange and odd beginnings. No one of them could
have been predicted ahead of time."
— Leonard E. Read.
"Ratatouille," the new animated film by Disney/Pixar, is
remarkably favorable to the free-market perspective. It praises human
creativity, entrepreneurial spirit and property rights while taking a few
well-aimed shots at welfare and government health inspectors. More than this,
"Ratatouille" puts forth the idea that people must
have the humility to learn from unexpected sources.
Unlike most films in which the hero is a talking animal,
"Ratatouille" has a very strong pro-human and pro-entrepreneurial message. In
this instance, the animal is Remy, a rat who becomes a great chef in Paris.
Early in the film, Remy is displaced from the French
countryside to the big city. This would usually serve as the pretext for the
screenwriters to make underhanded quips about the horrors of free enterprise and
how urban life is destroying the environment. But Remy is actually a great
admirer of the city and what it represents. He is sick and tired of being a rat,
by which he means a freeloader, thieving or digging through garbage for food. He
doesn’t want to live off the leftovers of others’ creativity. Instead, he longs
to be more like humans, who "don’t just survive," but "discover and create." He
often stops and stands in awe of the Parisian cityscape. He understands it is a
living symbol of human creativity and achievement.
Remy’s admiration for the city and his surroundings
inspires the viewer to be in awe of human creativity as well. The film is
visually stunning. From the brass rails to the white soufflé bowls, everything
in the movie is beautiful — each the product of human acts of creativity. While
the action is going on, however, it is often too easy to take the spectacular
surroundings for granted. It is worth taking the advice of Remy’s spirit guide,
Gusteau: "Excellence is all around. You need only be aware to stop and savor
Gusteau is a recently departed chef whose book and motto
"Anyone Can Cook" is Remy’s inspiration. Throughout the movie, Gusteau appears
as Remy’s invisible companion and conscience, encouraging Remy to take the risks
necessary to be a successful creator and entrepreneur. In several instances,
Gusteau helps Remy stand firm where others would turn tail and run. In fact, the
whole story revolves around the main characters’ attempts to make their
restaurant a successful enterprise and express their personal talents through
their culinary craft.
The movie’s high energy chase scene revolves around the
issue of property rights. Remy discovers that the head chef and arch villain
Skinner has been hiding evidence that the garbage boy, Luigi, is actually the
rightful owner of the restaurant. Remy takes the evidence to give to Luigi, but
Skinner doesn’t give up without a chase. Skinner is not a villain because he is
a "ruthless entrepreneur," as some might believe, but because he is an outright
Finally, although Remy’s own work and creative abilities
quickly enable him to live without freeloading, he remains tempted to steal food
from the kitchen to feed his comrade rats higher quality fare than they’re used
to. As he gives out free goods at other people’s expense, the welfare rolls
predictably grow longer as more rats come to take advantage of his misguided
philanthropy. In the end, however, the success of Remy’s enterprise — and his
integrity — leads to the improved lot of his entire family by successfully
serving others, not by stealing from them.
All these elements would do supporters of freedom proud.
There is another theme, however, that will not strike most as particularly
"libertarian," but which is the most libertarian element of the movie. This is
the theme of learning from unexpected sources.
Gusteau’s motto, "Anyone can cook," is explored throughout
the film and is finally illuminated by a soliloquy at the end of the movie. It
is discovered that the motto does not mean "everyone can be a great cook," but
that a great cook can come from anywhere. The stress is placed on the word
"anyone," which is to say, we don’t know who it will be. It could be anyone. Of
course, in the movie this is illustrated by a rat who turns out to be a great
Gusteau’s motto is similar to F.A. Hayek’s argument for
individual freedom and capitalism. Hayek argued that society cannot be centrally
planned because planners could not possibly learn all the relevant information
needed to direct and coordinate people’s actions successfully.
Hayek’s argument for freedom rests on the idea that a free
society is the one that maximizes learning from unexpected sources. He explained
that "nobody can know who knows best and that the only way by which we
can find out is through a social process in which everybody is allowed to try
and see what he can do."
A central agency could never know or come to know
everything that individuals know about their own situations or capacities. Take
Albert Einstein for example. He produced two of the most important papers in
physics ever written when he was working in a patent office. Imagine being a
director of the central planning agency in 1904: Could you ever have guessed to
look among the clerks in a particular patent office to find the individual who
would revolutionize our knowledge of time and space?
(You might argue that you could have found Einstein by
looking at who did best in school. But Einstein was not a good student and he
was terrible at math. No one would ever have known what Einstein had to offer if
he hadn’t been allowed to try in the context of free institutions.)
In a society of free enterprise, in which everyone is free
to try to see what he or she can do, the forces of competition tend to find out
who can do what the best. Remy the cook, just like Einstein, is an utterly
unexpected source of knowledge. When he is free to compete and offer his
services to others, the world can discover his capabilities and talent.
On paper, the story of a rat who is a great cook may seem
to take this principle to absurd levels, but its unbelievable aspects dissolve
in celluloid and the principle is brought to life by the suspension of
The freedom philosophy is a philosophy of humility that
inspires respect for each individual because it reminds us that we never know
what we have to learn from others, and because we never know who has the
capacity to be a great advocate or even a great leader of our cause. Even the
name of the movie is taken from a humble peasant’s dish.
"Ratatouille" successfully reproduces the inspiring
message of the power of humility that lies at the heart of the libertarian
Andrew G. Humphries is a 2007 graduate of St. John’s
College in Santa Fe, N.M., and a research intern at the Mackinac Center for
Public Policy, a research and educational institute headquartered in Midland,
Mich. Permission to reprint in whole or in part is hereby granted, provided the
author and the Center are properly cited.
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